Beaverton, Oregon
Pilgrim Evangelical Lutheran Church (LCMS)
John Brombaugh & Assoc., Opus 30, 1987
MANUAL I
8' Praestant I
8' Holpijp I
8' Viola da Gamba I or II
4' Octave I or II
4' Spitzflote I or II
2 2/3' Nasard I or II
2' Octave I or II
1 3/5' Tierce I or II
IVr Mixture I
8' Trumpet I
MANUAL II
8' Oak Gedackt II
8' Viola da Gamba I or II
4' Octave I or II
4' Spitzflote I or II
2 2/3' Nasard I or II
2' Octave I or II
1 3/5' Tierce I or II
Tremulant (all)
PEDAL
16' Subbass
8' Praestant Man. I
8' Trumpet Man. I
PIPE ANALYSIS
16' Subbass 30
8' Praestant 56
8' Holpijp 56
8' Oak Gedackt 56
8' Viola da Gamba 51
4' Octave 56
4' Spitzflote 56
2 2/3' Nasard 56
2' Octave 56
1 3/5' Tierce (mc) 32
IVr Mixture 224
8' Trumpet 56
COUPLERS (Drawknob)
Coupler I/P
ACTION: Mech. key (susp.) and stop
VOICES: 12
STOPS: 14 (counting shared stops once)
RANKS: 15
PIPES: 785
NOTES
The organ is free-standing and encased in the rear gallery of the church.
It speaks down the central axis of the A-frame room. The 3-sectional case
is a single, central tower flanked by two flats, containing 37 pipes
arranged: 15-7-15. The keydesk is attached and projecting, the music rack
is recessed.
The six (6) shared ranks are notched. In this notched position the stop
is off. When fully drawn the stop plays on Man. I. When fully pushed-in,
it plays on Man. II. This works by means of an "exchange slider" config-
uration.
The 8' Viola da Gamba borrows its first 5 notes from the Manual II 8'
Oak Gedackt.
[Received on line from James R. Stettner October 19, 2009.]