Milwaukee, WI
Immanuel Lutheran Church (now Sharon Seventh Day Adventist
Wangerin, ca. 1941 (rebuild of 1912 Hann-Wangerin-Weickhardt)
Great Organ Swell Organ
16' Open Diapason 16' Bourdon
8' First Diapason 8' Open Diapason
8' Second Diapason 8' Stopped Flute
8' Gedeckt 8' Salicional
8' Erzahler 8' Celeste
4' Octave 4' Principal
4' Flute 4' Rohr Floete
II Grave Mixture 2 2/3' Nazard
Chimes 2' Doppel Floete
16' Great to Great 1 3/5' Tierce
Great Unison Off III Mixture
4' Great to Great 16' Fagotto
16' Swell to Great 8' Trumpet
8' Swell to Great 8' Oboe (ext)
4' Swell to Great 4' Clarion
16' Choir to Great 8' Vox Humana
8' Choir to Great Tremolo
4' Choir to Great 16' Swell to Swell
Swell Unison Off
Pedal Organ 4' Swell to Swell
32' Resultant
16' Diapason Choir Organ
16' Subbass 16' Dulciana (ext, tc)
16' Violone 8' Violin Diapason
16' Bourdon (swell) 8' Gedeckt
8' Octave (ext) 8' Concert Flute
8' Bass Flute (ext) 8' Dulciana
8' Cello (ext) 8' Unda Maris
8' Dulciana (choir) 4' Geigen Octave
4' Choral Bass (ext?) 4' Harmonic Flute
4' Flute (ext?) 4' Dulcet (ext)
II Mixture 2 2/3' Nazard
16' Posaune 2' Piccolo
16' Fagotto (swell) 2' Dulciana (ext)
8' Posaune (ext) 1 3/5' Tierce
8' Oboe (swell) 1 1/3' Larigot (ext)
4' Fagotto (swell) 1' Dulciana (ext)
2' Cornet (swell?) III Cornet
Chimes (great) 8' Clarinet
8' Great to Pedal 8' Cornopean
8' Swell to Pedal Tremolo
8' Choir to Pedal 16' Choir to Choir
4' Great to Pedal Choir Unison Off
4' Swell to Pedal 4' Choir to Choir
4' Choir to Pedal 16' Great to Choir
8' Great to Choir
Combinations 4' Great to Choir
5+0 Swell 16' Swell to Choir
5+0 General 8' Swell to Choir
5+0 Great 4' Swell to Choir
5+0 Choir
5+0 Pedal Reversibles
Pedal and Swell Comb. Coupler Great to Pedal (toe)
Pedal and Great Comb. Coupler Swell to Pedal (toe)
Pedal and Choir Comb. Coupler Choir to Pedal (toe)
Setter piston Sforzando (toe)
Pastor (toe)
Balanced Swell Pedal
Balanced Choir Pedal
Register Crescendo
NOTES: Great and Pedal ranks installed in chamber in chancel;
Swell and Choir divisions installed in two chambers in choir loft, along with console.
At the time of my visit in June 1987, the organ was unused, and barely playable,
so it wasn't possible to determine details of pipe counts and some unification.
Furthermore, the celluloid stopkeys were decomposing and fragile, making their use
problematic.
[Received from David Bohn 2014-09-26.]