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Columbia Organ Works
Columbia Organ Works

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Builder: Derrick, Felgemaker & Co.
Position: Keydesk Attached
Design: Traditional With a Keyboard Cover That Can Be Lifted To Form a Music Rack
Pedalboard Type: Flat Straight
Features:
2 Manuals (58 Notes)27 Note Pedal3 Divisions22 StopsMechanical (Unknown) Key ActionMechanical Stop Action

Stop Layout: Drawknobs in Horizontal Rows on Terraced/Stepped Jambs
Expression Type: Balanced Expression Shoes/Pedals (Not Meeting AGO Standards)
Combination Action: Fixed Mechanical
Control System: Unknown or N/A

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DETAILS

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Exhibited in the 2010 OHS convention(s)
This instrument is: Extant and Playable in this location

Database Manager on May 22nd, 2016:

Updated through online information from Jim Stark.
Derrick & Felgemaker opus 95 was originally built for St. Brigid RC Church, Pittsburgh, and moved, unaltered except for the replacement of the double rise reservoir, to its present location in 1958, replacing Hook & Hastings opus 1155.


Database Manager on January 30th, 2016:

Updated through online information from James M Stark.
1872 Derrick & Felgemaker, Opus 95 II Manual, 27 Ranks St. Benedict the Moor R. C. Church, Pittsburgh Great 16 Bourdon 58 stopped wood 8 Grand Open Diapason 44 sc ¼ mouth; 17 zinc in facade, 41 sm; 1-49 slotted, 50-58 coned 8 Viola di Gamba 54 sc 2/9 to ¼ mouth; 12 zinc, 46 sm; 1-49 slotted, 50-58 coned 8 Melodia 17 stopped wood, 41 open wood 4 Principal 59 sc ¼ mouth; 4 zinc in façade, 54 sm; 1-12 slotted, 13-58 coned 4 Flute d-Amour 37 stopped wood, 21 open sm 4 Violina 65 sc ¼ mouth; 58 sm 2 2/3 Twelfth 65 sc ¼ mouth; 58 sm; 1-17 slotted, 18-58 coned 2 Fifteenth 71 sc ¼ mouth; 58 sm; 1-12 slotted, 13-58 coned III Mixture 174 pipes, sm; 17=55 sc @ 8- C, 19=53 sc @ 8- C, 22=52 sc @ 8- C, all ¼ mouth CC 17.19.22 c1 15.17.19 c2 12.15.17 g2# 8.12.15 8 Trumpet 4 ¼�?, 17 zinc, 41 sm; 1-49 free reeds Swell 8 Open Diapason 46 sc ¼ mouth; 7 stopped wood, 10 zinc, 41 sm; 8-58 slotted 8 St. Diapason 49 stopped wood, 9 sm trebles 8 Keraulophon 54 sc 2/9 mouth; 1-7 from St. Diapason, 5 zinc, 46 sm 4 Octave 61 sc ¼ mouth; 58 sm; 1-24 slotted, 25-58 coned 4 Flauto Traverso 49 open wood, 10 trebles coned; 25-58 double length 2 Flautina 73 sc ¼ mouth; 5 sm; 1-12 slotted, 13-59 coned III Dulce Cornet 166 pipes (no 17th 50-58), no breaks 12=50 sc @ 8- C, 15=54 sc @ 8- C, 17=53 sc @ 8- C, all ¼ mouth 8 Bassoon/Oboe 4 ¼�?, 1-12 sm ½ length, capped with horizontal moon opening; 13-58 zinc/sm; 1-49 free reeds Tremolo Bellows Signal Pedal 16 Double Open Diap. 12 ½�? x 13 7/8�?; 27 open wood 16 Bourdon 8 ¼�? x 9 5/8�?; 27 stopped wood 8 Violonecello 50sc ¼ mouth; 12 zinc, 15 sm SW to GT SW to PD GT to PD Action: mechanical Wind pressure: 2 ¾�? Pitch: A440 Documented by Randall Wagner and John Cawkins 1872 Derrick & Felgemaker, Opus 95 II Manual, 27 Ranks St. Benedict the Moor R. C. Church, Pittsburgh Great 16 Bourdon 58 stopped wood 8 Grand Open Diapason 44 sc ¼ mouth; 17 zinc in facade, 41 sm; 1-49 slotted, 50-58 coned 8 Viola di Gamba 54 sc 2/9 to ¼ mouth; 12 zinc, 46 sm; 1-49 slotted, 50-58 coned 8 Melodia 17 stopped wood, 41 open wood 4 Principal 59 sc ¼ mouth; 4 zinc in façade, 54 sm; 1-12 slotted, 13-58 coned 4 Flute d-Amour 37 stopped wood, 21 open sm 4 Violina 65 sc ¼ mouth; 58 sm 2 2/3 Twelfth 65 sc ¼ mouth; 58 sm; 1-17 slotted, 18-58 coned 2 Fifteenth 71 sc ¼ mouth; 58 sm; 1-12 slotted, 13-58 coned III Mixture 174 pipes, sm; 17=55 sc @ 8- C, 19=53 sc @ 8- C, 22=52 sc @ 8- C, all ¼ mouth CC 17.19.22 c1 15.17.19 c2 12.15.17 g2# 8.12.15 8 Trumpet 4 ¼�?, 17 zinc, 41 sm; 1-49 free reeds Swell 8 Open Diapason 46 sc ¼ mouth; 7 stopped wood, 10 zinc, 41 sm; 8-58 slotted 8 St. Diapason 49 stopped wood, 9 sm trebles 8 Keraulophon 54 sc 2/9 mouth; 1-7 from St. Diapason, 5 zinc, 46 sm 4 Octave 61 sc ¼ mouth; 58 sm; 1-24 slotted, 25-58 coned 4 Flauto Traverso 49 open wood, 10 trebles coned; 25-58 double length 2 Flautina 73 sc ¼ mouth; 5 sm; 1-12 slotted, 13-59 coned III Dulce Cornet 166 pipes (no 17th 50-58), no breaks 12=50 sc @ 8- C, 15=54 sc @ 8- C, 17=53 sc @ 8- C, all ¼ mouth 8 Bassoon/Oboe 4 ¼�?, 1-12 sm ½ length, capped with horizontal moon opening; 13-58 zinc/sm; 1-49 free reeds Tremolo Bellows Signal Pedal 16 Double Open Diap. 12 ½�? x 13 7/8�?; 27 open wood 16 Bourdon 8 ¼�? x 9 5/8�?; 27 stopped wood 8 Violonecello 50sc ¼ mouth; 12 zinc, 15 sm SW to GT SW to PD GT to PD Action: mechanical Wind pressure: 2 ¾�? Pitch: A440 Documented by Randall Wagner and John Cawkins


Database Manager on February 4th, 2010:

Updated through online information from James R. Stettner. -- Three-sectional case with 23 gold-painted facade pipes arranged: 7-9-7. Two combination trundle pedals and a Great to Pedal reversible pedal.

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