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| Great (I)🛈 | ||
| 16' | Gedeckt | SW |
| 8' | Diapason | 61 |
| 8' | Principal🛈 | |
| 8' | Claribel Flute🛈 | 61 |
| 8' | Gemshorn | SW |
| 8' | Gemshorn Celeste | SW |
| 5 1⁄3' | Gross Nasat🛈 | SW |
| 4' | Octave🛈 | 61 |
| 4' | Rohr Flöte🛈 | 61 |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| 2' | Koppel | SW |
| II | Sesquialtera | SW |
| IV | Mixture [1⅓'] | SW |
| 8' | Trumpet | SW |
| 8' | Oboe | SW |
| 4' | Clarion | SW |
| Chimes🛈 | ||
| Cymbelstern🛈 | ||
| Great to Great 4' | ||
| Swell to Great 16' | ||
| Swell to Great | ||
| Swell to Great 4' |
| Swell (II - Expressive)🛈 | ||
| 16' | Gemshorn🛈 | |
| 8' | Principal🛈 | |
| 8' | Gedeckt🛈 | 61 |
| 8' | Gemshorn | 61 |
| 8' | Gemshorn Celeste [tc] | 49 |
| 4' | Principal🛈 | 61 |
| 4' | Koppel Flöte | 73 |
| 4' | Unda Maris II🛈 | 24 |
| 2 2⁄3' | Nasat🛈 | 61 |
| 2' | Octave🛈 | 12 |
| 2' | Flöte🛈 | 12 GT |
| 1 3⁄5' | Terz [tc] | 49 |
| 1 1⁄3' | Quint Flöte🛈 | |
| IV | Mixture [1⅓'] | 244 |
| 16' | Double Trumpet🛈 | 12 |
| 8' | Trumpet | 61 |
| 8' | Oboe | 61 |
| 4' | Clarion🛈 | 12 |
| 4' | Oboe🛈 | |
| General Tremulant🛈 |
| Pedal🛈 | ||
| 32' | Acoustic Bass | |
| 16' | Bourdon | 32 |
| 16' | Gedeckt🛈 | 12 SW |
| 8' | Octave | GT |
| 8' | Bass Flute🛈 | |
| 8' | Gemshorn | SW |
| 4' | Choralbass🛈 | GT |
| III | Mixture [5⅓']🛈 | |
| 16' | Double Trumpet | SW |
| 16' | Bassoon [tc]🛈 | SW |
| 8' | Trumpet | SW |
| 4' | Clarion | SW |
| 4' | Oboe | SW |
| Swell to Pedal | ||
| Swell to Pedal 4' | ||
| Great to Pedal |
FINGER PISTONS: Undocumented; TOE STUDS: Undocumented; PEDAL MOVEMENTS: Swell Expression (balanced), Crescendo (balanced); ACCESSORIES: Gallery Expression Off, All Flutes 8' [Originally rec'd from Randy Terry 2012-11-19].
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Updated through online information from Christopher Ketcham [April 20, 2026]: I visited the church on April 16, 2026 and was asked to see if our firm could make the instrument work again. We arrived to find the console completely open and relay parts in disarray. The power turned on but the relay was clearly not connected any longer. The relay appears to be an early 2000's Artisan that no longer has its programming. The pipe chambers are in good physical condition but the leather is starting to go on the Pedal reservoir. The console may be a repurposed Tellers. This relay work is not the work of Swain & Kates.
This entry represents tonal changes and additions completed by Paul Sahlin and then organist Randy Terry in 2002. A used console from Aeolian-Skinner Opus 1375, 1958 was acquired from St. John's Episcopal in Ross, CA. when they made their Aeolian-Skinner a hybrid instrument in 2001.
Related Instrument Entries: Swain & Kates, Inc. (1972)
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