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| Great (II - Expressive) | ||
| 8' | Principal | 61 |
| 8' | Holz Flöte * | 61 |
| 8' | Spitz Viol * | 61 |
| 4' | Octave | 61 |
| 4' | Spill Flote | POS |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| 2' | Block Flöte * | 61 |
| IV | Fourniture 1⅓' * | 244 |
| 8' | Trumpet + | 61 |
| Great 16' Sub Octave | ||
| Great Unison Off | ||
| Great 4' Super Octave | ||
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great | |
| 8' | Positiv to Great |
| Swell (III - Expressive) | ||
| 8' | Geigen Principal | 61 |
| 8' | Gedackt | 61 |
| 8' | Viole de Gambe | 61 |
| 8' | Viole Celeste [tc] | 49 |
| 8' | Aeoline | 61 |
| 4' | Prestant | 61 |
| 4' | Harmonic Flute | 61 |
| 2' | Octavin | 61 |
| III | Plein Jeu [1'] | 183 |
| 16' | Fagotto + | |
| 8' | Trompette + | 61 |
| 8' | Hautbois + | 61 |
| 8' | Vox Humana | 61 |
| 4' | Rohr Schalmei + | 61 |
| Tremolo | ||
| Swell 16' Sub Octave | ||
| Swell Unison Off | ||
| Swell 4' Super Octave |
| Choir (I - Expressive) | ||
| 8' | Viola Pomposa * | 61 |
| 8' | Viola Celeste [tc] * | 49 |
| 8' | Rohr Flute ♦ | 61 |
| 8' | Gemshorn | 61 |
| 8' | Gemshorn Celeste [tc] | 49 |
| 4' | Koppel Flöte ♦ | 61 |
| 4' | Rohr Flute | 12 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Zauber Flöte * | 61 |
| 1 3⁄5' | Terz | 61 |
| 8' | Flügel Horn | 61 |
| 8' | Clarinet | 61 |
| 8' | Krummhorn + | 61 |
| Tremolo | ||
| Choir 16' Sub Octave | ||
| Choir Unison Off | ||
| Choir 4' Super Octave | ||
| 8' | Swell to Choir | |
| 4' | Swell to Choir | |
| 8' | Positiv to Choir |
| Positiv | ||
| 8' | Bourdon * | 61 |
| 4' | Spitz Flöte * | 61 |
| 2 2⁄3' | Nasat * | 61 |
| 2' | Prinzipal * | 61 |
| 1 1⁄3' | Larigot * | 61 |
| 1' | Sifflöte * | 61 |
| Tremolo |
| Pedal | ||
| 32' | Resultant | |
| 16' | Open Diapason | DIG |
| 16' | Violone | DIG |
| 16' | Bourdon | 32 |
| 16' | Lieblich Gedeckt | 12 POS |
| 8' | Principal | 32 |
| 8' | Bass Flute | 12 |
| 5 1⁄3' | Quinte | |
| 4' | Choral Bass | 12 |
| 4' | Nacht Horn | 12 |
| III | Mixture [2'] | |
| 16' | Bombarde + | 12 SW |
| 16' | Fagotto | SW |
| 16' | Krummhorn + | 12 CH |
| 8' | Swell to Pedal | |
| 4' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 4' | Great to Pedal | |
| 8' | Choir to Pedal | |
| 4' | Choir to Pedal | |
| 8' | Positiv to Pedal |
FINGER PISTONS: General 1-5, Swell 1-5, Great 1-5, Choir 1-5, Pedal 1-5, G.C.; TOE STUDS: General 1-5, Gr. to Ped. (rev), Sw. to Ped. (rev) Sforz. (rev); Swell Expression (bal.), Gt/Ch Expression (bal.), Crescendo (bal.). NOTES: Stops marked with an asterisk (*) were made by Aeolian-Skinner. Stops marked with a plus symbol (+) were made by A.R. Schoopp Sons. Stops marked with a diamond (♦) were made by Jacques Stinkens of Zeist, Holland. There is some new Reuter pipework. The remaining pipework is from used sources, and much of it is Estey.
Originally Written/Published: May, 1994
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This entry represents the installation of a 'new' organ by the owner, created from both new and used pipework. Windchests were built by the owner in the style of Kilgen E-P unit chests in consultation with Bill Bunch of Balcom and Vaughan. There were some Morton chests with top-note magnets. Combination action and relay were Klann.
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